By E. Campbell, R. Mills
Imaginative and prescient is an interdisciplinary choice of essays that explores the interface among gender, sexuality and imaginative and prescient in medieval tradition. the amount represents a thrilling array of scholarship facing visible and textual cultures from the 11th to the 15th centuries. Bringing jointly quite a number theoretical techniques that tackle the troubling results of imaginative and prescient on medieval texts and pictures, the publication mediates among medieval and smooth buildings of gender and sexuality. stricken imaginative and prescient focuses thematically on 4 primary subject matters: hope, taking a look, illustration and analyzing. subject matters comprise the gender of the gaze, the visibility of queer wants, stricken representations of gender and sexuality, spectacle and reader reaction, and the visible troubling of recent serious different types.
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Extra info for Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image
Citing one case in which the chancellor himself, even during the siege of Neuss, took time to personally intercede in a case of sodomy, Boone concludes that the repression of those who engaged in homosexual acts was one of the ways in which the state sought to control its citizens and consolidate its power. ”61 In particular, several important sodomy trials were prosecuted in the 1440s, the decade in which Christus produced the Goldsmith’s Shop. Jan of Uutkerke was arrested in 1441, and in the year in which the painting was completed, 1449, Goswijn De Wilde, a high-ranking Burgundian official, was executed for the offence.
252, 313–314, 420. Later scholars have supported her proposal: see Betty Rosasco, “Albrecht Dürer’s ‘Death of Orpheus’: Its Critical Fortunes and a New Interpretation of Its Meaning,” Idea: Jahrbuch der Hamburger Kunsthalle 3 (1984): 33 [19–41]; Hugo Chapman, Padua in the 1450s: Marc Zoppo and His Contemporaries (London: British Museum, 1998), p. 38. 54. Jeffrey Richards, Sex, Dissidence and Damnation: Minority Groups in the Middle Ages (London: Routledge, 1995), p. 138. 55. Michael J. Rocke, “Sodomites in Fifteenth-century Tuscany: The Views of Bernardino of Siena,” in The Pursuit of Sodomy: Male Homosexuality in Renaissance and Enlightenment Europe, ed.
55. Michael J. Rocke, “Sodomites in Fifteenth-century Tuscany: The Views of Bernardino of Siena,” in The Pursuit of Sodomy: Male Homosexuality in Renaissance and Enlightenment Europe, ed. Kent Gerad and Gert Hekma (New York: Haworth Press, 1989), p. 18 [7–31]. Also see his Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence (Oxford: Oxford University Press, 1996). 56. If the panel does represent St. Eloy, then the contrast is even stronger, with the groom-to-be at the saint’s side and within the sacred space of his shop.