By Bruno Frey (auth.), Alan Peacock, Ilde Rizzo (eds.)
Cultural Economics and Cultural Policies bargains a distinct advisor to the state-of-the-art in cultural economics. First, it signals students and scholars to the need for cautious definition and dimension of the `cultural sector'. moment, it gives examples of the way monetary research can make clear the inducement of artistic and acting artists and of inventive companies. 3rd, Cultural Economics andCultural Policies widens the dialogue of public coverage in the direction of the humanities past basic monetary appraisal of arguments for presidency monetary help. It does so via contemplating the government's function in defining estate rights in creative items and in regulating in addition to financing the humanities; reading how the standards for presidency aid are literally utilized. Cultural Economics and CulturalPolicies may be of curiosity to economists, scholars and coverage makers.
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Extra info for Cultural Economics And Cultural Policies
1972) 'Cultural Accounting', Social Trends, no. 3, pp. 61-5. P. P. ) Social Science and the Arts, Lanham, Maryland, University Press of Americas, pp. 10118. Puu, T. care, Venice, February 1992, rmmeo. D. (1987) 'Making Compromises to Make Comparisons in CrossNational Arts Policy Researcb', Journal of Cultural Economics, vol. 11, no. 2, pp. 136. D. S. L. ) Cultura EconomIcs 88: An American Perspective, Akron, Ohio, Association for Cultural Economics, pp. 21124. D. (1982) 'Economics and the Arts: Review of Seven Years', Economic Record, vol.
1988) Die Wolkwirtschaftlische Bedeutung von Kunst und Kultur, Miinchen, Ifo. O'Hare, M. and Feld, AL. A. ) Paying for Culture, special issue of the Annals of the American Academy of Political and Social Science, London, Sage, pp. 132-43. Peacock, AT. and Godfrey, C. (1972) 'Cultural Accounting', Social Trends, no. 3, pp. 61-5. P. P. ) Social Science and the Arts, Lanham, Maryland, University Press of Americas, pp. 10118. Puu, T. care, Venice, February 1992, rmmeo. D. (1987) 'Making Compromises to Make Comparisons in CrossNational Arts Policy Researcb', Journal of Cultural Economics, vol.
Some remarks conclude the paper in section IV. II. Determinants of Cooperation Although cultural goods may be rival in consumption, it is often suggested that they produce 'national feeling' benefits which are nonexcludable. Surveys have showed that people believe that arts reflect national pride and also that they 'contribute importantly to national understanding and social evaluation' (Throsby and Withers 1986, p. 318). Therefore this interpretation of arts as a community heritage - a value resulting from the process of interaction among individuals and transmitted to other generations for the characteristics of social identity - can be adopted as a determinant of social consensus in reaction to private (and eventually public) provision l (see Musgrave, 1987).